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Work in Cinema, Kerr


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Автор: Kerr
Название:  Work in Cinema
ISBN: 9781137370853
Издательство: Springer
Классификация:

ISBN-10: 1137370858
Обложка/Формат: Hardback
Страницы: 336
Вес: 0.48 кг.
Дата издания: 2013
Серия: Cultural and Media Studies
Язык: English
Иллюстрации: Vi, 296 p.
Размер: 225 x 171 x 22
Читательская аудитория: General (us: trade)
Подзаголовок: Labor and the human condition
Ссылка на Издательство: Link
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Поставляется из: Германии
Описание: Cinema frequently depicts various types of work, but this representation is never straightforward. It depends on and reflects many factors, especially the place and time the film is made and the type of audience it addresses. Here, the contributors employ transnational and transhistorical perspectives to compare filmic depictions of work.


Akira Kurosawa and Intertextual Cinema

Автор: Goodwin, James
Название: Akira Kurosawa and Intertextual Cinema
ISBN: 0801846617 ISBN-13(EAN): 9780801846618
Издательство: Wiley
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Цена: 4435.00 р.
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Описание: In this text, Goodwin draws on contemporary theoretical and critical approaches to explore Kurosawa`s use of a variety of texts to create cinema that is both intertextual and intercultural. He examines lesser-known works as well as major films.

The Cinema of Satyajit Ray

Автор: Darius Cooper
Название: The Cinema of Satyajit Ray
ISBN: 0521629802 ISBN-13(EAN): 9780521629805
Издательство: Cambridge Academ
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Цена: 3326.00 р.
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Описание: Darius Cooper`s study of Ray is the first to examine his rich and varied work from a social and historical perspective. The most comprehensive treatment of Ray`s work, The Cinema of Satyajit Ray makes accessible the oeuvre of one of the most prolific and creative filmmakers of the twentieth century.

History of the french new wave cinema

Автор: Neupert, Richard
Название: History of the french new wave cinema
ISBN: 0299217043 ISBN-13(EAN): 9780299217044
Издательство: Mare Nostrum (Eurospan)
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Цена: 3380.00 р.
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Описание: The French New Wave cinema is the most fascinating of all film movements, famous for its exuberance, daring, and avant-garde techniques. This work offers a look at the social, economic, and aesthetic mechanisms that shaped French film in the 1950s, as well as detailed studies of the important New Wave movies of the late 1950s and early 1960s.

Undressing cinema

Автор: Bruzzi, Stella
Название: Undressing cinema
ISBN: 0415139570 ISBN-13(EAN): 9780415139571
Издательство: Taylor&Francis
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Цена: 6276.00 р.
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Описание: Using case studies drawn from contemporary popular cinema to reassess ideas about costume and fashion in cinema, Bruzzi explores how clothes are key elements in the construction of cinematic identities and proposes new and dynamic links between cinema, fashion and costume history, gender, queer theory and psychoanalysis.

Cinema of federico fellini

Автор: Bondanella, Peter
Название: Cinema of federico fellini
ISBN: 0691008752 ISBN-13(EAN): 9780691008752
Издательство: Wiley
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Цена: 7603.00 р.
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Описание: A biography of Federico Fellini that shows how his exuberant imagination has been shaped by popular culture, literature, and his encounter with the ideas of C G Jung, especially Jungian dream interpretation. It links his mature accomplishments to his first employment as a cartoonist, gagman, and sketch-artist during the Fascist era.

Golden age of cinema

Автор: Jewell, Richard B.
Название: Golden age of cinema
ISBN: 1405163739 ISBN-13(EAN): 9781405163736
Издательство: Wiley
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Цена: 5219.00 р.
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Описание: This comprehensive book illuminates the most fertile and exciting period in American film, a time when the studio system was at its peak and movies played a critical role in elevating the spirits of the public. Richard B.

Cult Cinema

Автор: Mathijs Ernest
Название: Cult Cinema
ISBN: 1405173734 ISBN-13(EAN): 9781405173735
Издательство: Wiley
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Цена: 4744.00 р.
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Описание: Despite its emergence as one of the most popular and debated areas of cinema research, there is no systematic discussion of cult cinema available. Cult Cinema aims to fill this gap by being the first academic textbook devoted to the subject.

Cinema and Society in the British Empire, 1895-1940

Автор: Burns James
Название: Cinema and Society in the British Empire, 1895-1940
ISBN: 113730801X ISBN-13(EAN): 9781137308016
Издательство: Springer
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Цена: 9756.00 р.
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Описание: By 1940 going to the movies was the most popular form of public leisure in Britain`s empire. This book explores the social and cultural impact of the movies in colonial societies in the early cinema age.

Slow Movies: Countering the Cinema of Action

Автор: Jaffe Ira
Название: Slow Movies: Countering the Cinema of Action
ISBN: 0231169795 ISBN-13(EAN): 9780231169790
Издательство: Wiley
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Цена: 3960.00 р.
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Описание: "Slow Movies investigates movies by acclaimed directors who over the past three decades have challenged mainstream cinema`s reliance on motion and action"--Page 4 of cover.

Bollywood Cinema: Temples of Desire

Автор: MISHRA, VIJAY
Название: Bollywood Cinema: Temples of Desire
ISBN: 0415930146 ISBN-13(EAN): 9780415930147
Издательство: Taylor&Francis
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Цена: 26030.00 р.
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Описание: Mishra argues that Indian film production and reception is shaped by the desire for national community and a pan-Indian culture. He examines this through the dual methodologies of postcolonial studies and film theory.

First Films of the Holocaust: Soviet Cinema and the Genocide of the Jews, 1938-46

Название: First Films of the Holocaust: Soviet Cinema and the Genocide of the Jews, 1938-46
ISBN: 0822962241 ISBN-13(EAN): 9780822962243
Издательство: Mare Nostrum (Eurospan)
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Цена: 5405.00 р.
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Описание: Most early Western perceptions of the Holocaust were based on newsreels filmed during the allied liberation of Germany in 1945. Little, however, was reported of the initial wave of material from Soviet filmmakers who were in fact the first to document these horrors. In First Films of the Holocaust, Jeremy Hicks presents a pioneering study of Soviet contributions to the growing public awareness of the horrors of Nazi rule. Even before the war, the Soviet film Professor Mamlock, which premiered in the United States in 1938 and coincided with the Kristallnacht pogrom, helped reinforce anti-Nazi sentiment. Yet, Soviet films were often dismissed or even banned in the West as Communist propaganda. Ironically, in the brief 1939-1941 period of Nazi and Soviet alliance, such films were also banned in the Soviet Union, only to be reclaimed after the Nazi attack on the Soviet Union in 1941, and suppressed yet again during the Cold War. Jeremy Hicks recovers much of the major film work in Soviet depictions of the Shoa and views them within their political context, both locally and internationally. Overwhelmingly, wartime films were skewed to depict Soviet resistance, 'Red funerals,' and calls for vengeance, rather than the singling out of Jewish victims by the Nazis. Almost no personal testimony of victims or synchronous sound was recorded, furthering the disconnection of the viewer to the victims. Hicks examines correspondence, scripts, reviews, and compares edited with unedited film, to unearth the deliberately hidden Jewish aspects of Soviet depictions of the German invasion and occupation. To Hicks, it's in the silences, gaps, and ellipses that the films speak most clearly. Additionally, he details the reasons why Soviet Holocaust films have been subsequently erased from collective memory in the West and the Soviet Union: their graphic horror, their use as propaganda tools, and the postwar rise of the Red Scare in the United States and anti-Semitic campaigns in the Soviet Union.

The Phantom Holocaust: Soviet Cinema and Jewish Catastrophe (Olga Gershenson)

Название: The Phantom Holocaust: Soviet Cinema and Jewish Catastrophe (Olga Gershenson)
ISBN: 0813561817 ISBN-13(EAN): 9780813561813
Издательство: Mare Nostrum (Eurospan)
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Цена: 13167.00 р.
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Описание: Even people familiar with cinema believe there is no such thing as a Soviet Holocaust film. The Phantom Holocaust tells a different story. The Soviets were actually among the first to portray these events on screens. In 1938, several films exposed Nazi anti-Semitism, and a 1945 movie depicted the mass execution of Jews in Babi Yar. Other significant pictures followed in the 1960s. But the more directly filmmakers engaged with the Holocaust, the more likely their work was to be banned by state censors. Some films were never made while others came out in such limited release that the Holocaust remained a phantom on Soviet screens.Focusing on work by both celebrated and unknown Soviet directors and screenwriters, Olga Gershenson has written the first book about all Soviet narrative films dealing with the Holocaust from 1938 to 1991. In addition to studying the completed films, Gershenson analyzes the projects that were banned at various stages of production.The book draws on archival research and in-depth interviews to tell the sometimes tragic and sometimes triumphant stories of filmmakers who found authentic ways to represent the Holocaust in the face of official silencing. By uncovering little known works, Gershenson makes a significant contribution to the international Holocaust filmography.


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